Gibson may be ambitious as a director and producer here, but not as an actor. All that's left, really, is for Wallace to repeat himself by, again, winning the war on the battlefield only to lose it in the negotiations that follow.
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After Wallace's initial attempt to boot the Brits out of Scotland fails, the movie can't quite get up to speed again. Unfortunately, the energy from these high points doesn't spill over into the rest of the movie. In terms of sheer spectacle, they're expertly orchestrated in a manner that, though not particularly original, still manages to be both stirring and beautiful. These colorful, lavishly violent battles are easily the movie's most impressive scenes. It is entertaining, especially when the director sets his armies in motion against each other. Similarly, the movie doesn't have any lofty ambitions. Powerfully built with a wild mane of chestnut hair flying behind him, Wallace is a simple, uncomplicated man. Gibson seems to have consciously chosen a character whose impulse toward action is the opposite of another of his recent roles-Hamlet. Both films are ostensibly historical romances "Braveheart," though, emphasizes the history over the romance. Actually, "Braveheart" might not have seemed quite so ordinary-or so monstrously long-just three months ago, before the release of "Rob Roy" now it's merely the second-best film about Scotland around. In the process, Wallace becomes one of the nation's founding fathers-like Rob Roy-followed by a motley pickup army that sees him as a sort of living myth.
Soon, however, the British attack his own family-including his childhood beloved (Catherine McCormack)-and though Wallace may be slow to boil, he makes up for it by hurling himself into battle with murderous abandon. Even so, Wallace does not initially join some of the others in their uprising against the king, preferring to remain on the sidelines.
A common farmer who wants simply to be left alone to work his land, Wallace has seen Edward I slaughter his country's nobles, tax its clansmen and claim the right to sleep with the brides of all Scotsmen on their first night of marriage.
Not so in the 13th century, when men were men, and certainly not during the life of William Wallace, the fierce Scottish lord whose rebellion against the English is the subject of Mel Gibson's hunk-driven historical epic, "Braveheart."Īccording to Gibson-who functions as producer-director-star for this nearly three-hour movie-and screenwriter Randall Wallace, the great Scot is a hero in the Robin Hood mode.
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There's all too little opportunity in modern life for righteous anger-particularly of the sort that affords the aggrieved party license to take off an enemy's arm with a broadsword. Picture Director Cinematography Effects Makeup
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